Showing posts with label Mark Dunkelman. Show all posts
Showing posts with label Mark Dunkelman. Show all posts

Saturday, February 23, 2013

God Didn't Choose Sides


This is officially my new favorite CD.

Steve Gulley was being interviewed on WBRF Radio in Galax, Virginia, by my friend, Sherry Boyd. When the music conversation turned to Civil War history, I was fairly jumping up and down. While Steve described the story of Amos Humiston, I was typing Sherry messages via Facebook: "My friend, Mark Dunkelman, wrote the book on Humiston's story--Gettysburg's Unknown Soldier!"

Sherry and Steve talked about Jennie Wade, the young woman killed by a stray bullet during the battle of Gettysburg. These and many more poignant stories of the war found their way into song with the release of this CD, God Didn't Choose Sides. I could not have said it better.

As a "popular" historian, it has always been my mission to share the stories of real people and to make the experiences of the past come to life in a meaningful way. I have always felt that I was introducing people to one another across time. The people I have met in studying the Civil War are as real to me as any living person I have known because they are real; they are just not alive at this minute. But in a few minutes, neither will we be alive -- whether that is five minutes or five hundred thousand minutes from now. I have always understood this --that people before us were just as real. This CD is based on that understanding. As incredibly large in scope as the American Civil War was, it was made up of the thousands upon thousands of stories of ordinary people, of soldiers like Amos Humiston who died on a battlefield far from home clutching the image of his children. That experience is timeless; every soldier in every age can relate, as can every wife waiting for a husband's return. Jennie Wade and Amos Humiston did not choose to make history; rather, they were making a life when they became swept up into history. That's how it happens, and those are the ties that bind us through the ages. This CD is an eloquent and compassionate voice bringing the past into our present.

It is obvious that this entire production is a real labor of love. Tim Stafford, from the band Blue Highway, commented, "It was a great experience, working with some of my favorite people like Ron Stewart, Adam Steffey, Steve Gulley, Bryan Turner. Justin Moses and Mark Fain."

Tim added, "Sam Passamano's vision for the record was built around the idea of the common man's experience in the Civil War, and I think the songs are consistent with that vision. I'm glad that I was able to be a part of it as a songwriter, guitarist and singer."

Tim lent his vocal skills to "Providence Spring," the miraculous story of a spring that appeared during a thunder storm in the midst of Andersonville Prison, the most notorious of the prisoner of war camps necessitated by war. (While Andersonville has become the most widely known, every POW camp, North and South, was a hell on earth. My great-grandfather, captured at Culp's Hill on the second day of the fighting at Gettysburg, went to Fort Delaware and then to Point Lookout, Maryland, where he remained until the war was over. There are accounts of men cooking rats and eating rotten seagulls that washed up on the shore.)

Tim is justifiably proud. The first licks of the first song, "I'm almost home" (co-written by Steve Gulley and Tim Stafford), promise good music to follow. Bluegrass fans will revel in the performances (Lonesome River Band, Marty Rabon, Russell Moore to name a few), and history fans will delight in hearing treasured stories interpreted in music. With meaningful stories, well-crafted songwriting, amazing musicians and vocalists, as well as  quality production, this CD is destined to be a classic. I am most thrilled, however, by the fact that it is Volume I.

Order directly at www.goddidntchoosesides.com . . . . Buy several: you'll be loaning this one to a lot of friends, so may as well get them a copy!


Sunday, March 18, 2007

Capturing the Flag


The image above seems terribly relevant today. It's the cover of Harper's Weekly, September 17, 1864, and the title is, "HARRY DAVIS CAPTURING THE BATTLE FLAG OF THE THIRTIETH LOUISIANA REGIMENT, AT THE BATTLE OF EZRA CHURCH."

Depending on your ancestry and point of view, the above instills pride, anger, sadness, sympathy, or lust for more. There's no mistaking my interpretation; I'm a Southerner. Seeing this image stirs something akin to grief. I don't see the furtherance of slavery in that flag; rightly or wrongly, I see a people invaded fighting back. That is part emotion, and part education. I acknowledge my bias. I understand that for my friends Mark Dunkelman or Andy Waskie, there is something closer to the "triumph of right" that swells in their chests. Whatever your reaction, the fact is that you will have some reaction if you're a student of the Civil War or a descendant of its veterans.

Thanks to a faithful reader, I just received a notice about the flag controversy in Florida. A display at the Mary Brogan Museum of Art and Science in Tallahassee is offensive to many Southern Soldiers' descendants. The artist Robert Sims sees the battle flag as a symbol of racism and terrorism. His piece, "The proper way to display a Confederate Flag (right)," shows the controversial symbol hanging from a gallows. It is a powerful image, and that is why I want you to see it.

I am a huge supporter and defender of the Arts. Sometimes art is beautiful, sometimes it is repulsive. But art should comfort us and challenge us, cause us to see the world in a different way. To my friends, the Sons of Confederate Veterans, my heart is with you. But do not make this your battlefield. The expression of ideas, the freedom of the individual is what we've all been fighting for in one way or another. Rather, use the opportunity of this art exhibit to educate people, to let them know why you feel positively about the Confederate Battle Flag. I feel just as strongly as many of you that the stars and stripes is a more accurate representation of slavery, for that emblem waved over a slave-owning country for decades. The fact is, these are symbols. On their own, they mean nothing. It is the meaning we give them that matters. Let people know the meaning you give the Battle Flag is not one of hate nor racism, but of independence.

We have a minister here in Topeka, Fred Phelps (left), who has gained national notoriety for his anti-gay marches and protesting at the funerals of soldiers. I can't say I agree with anything he says, and when I see his children and grandchildren holding signs that say, "God hates Fags," I can't help but think their childhood has been stolen. But I also have a more comforting thought. As long as that man can publicly say whatever hateful thing he feels, we are safe.

People, our civil liberties hang by a slender thread. Don't be so quick to clip that thread because you're offended. When I look at that Battle Flag, I see my ancestors, those Scoth-Irish mountaineers who didn't own slaves, who only wanted to go home and be left alone to live their lives and make babies, make music, and make whiskey.

But that's another story. . . .

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For more information, read The Confederate Battle Flag: America's Most Embattled Emblem by John Coski. John is the librarian at the Museum of the Confederacy and is level-headed, insightful, and just an all-around great guy. Another great discussion of the battle flag is Jack Davis's Myths of the Cause Lost.